Music collection societies worldwide.

The largest US PRO by membership; member-owned, non-profit.

Broadcaster-founded PRO, now owned by New Mountain Capital.

Invite-only; the only for-profit US PRO.

Boutique PRO founded by Irving Azoff; invite-only roster.

Created by the Music Modernization Act; handles US streaming mechanicals.

Collects digital performance royalties from non-interactive streaming and satellite radio.

The legacy US mechanical licensing agent; now part of SESAC Holdings.

Independent-friendly PRO launched 2016; tech-first approach to performance tracking.

Canada's mechanical rights agency; partners with SOCAN for full publishing collection.

Canada's sole PRO; partners with CMRRA on mechanicals.

Handles both PRS (performance) and MCPS (mechanical) in the UK.

Germany's society; one of the largest in the world by revenue.

France's author society, founded 1851; the world's oldest.

Italy's author society.

Spain's author society; covers Spanish-speaking Latin America via reciprocals.

Dutch society covering both performance (Buma) and mechanical (Stemra).

Switzerland's society; serves a high-revenue per-capita market with strong reciprocal network.

Belgium's author society; founded 1922.

Austria's PRO; partners with austro-mechana for mechanical rights.

Finland's society; high per-capita streaming revenue.

Iceland's small but active society.

Poland's author society; founded 1918, one of Europe's oldest.

Czech Republic's protective copyright association.

Hungary's author rights bureau.

Japan's society; world's 2nd-largest music market.

Korea's society; critical for K-pop collection.

Joint Australia/NZ body covering performance (APRA) and mechanical (AMCOS).

Israel's society.

Singapore's PRO; regional hub for SE Asia.

Malaysia's PRO.

Taiwan's PRO; key for Mandopop collection.

China's society; world's fastest-growing music market.

Brazil's central collection office.

Argentina's author society.

Uruguay's author society.

Colombia's PRO; growing fast with Latin streaming.