Music collection societies worldwide.
Collection societies license music use and collect royalties on behalf of songwriters and publishers. Your music generates earnings in every country where it's played — and each country has its own society, rates, and registration process.
North America
10 societiesASCAP
United States · Performance Rights Organization
The largest US PRO by membership; member-owned, non-profit.
ViewBMI
United States · Performance Rights Organization
Broadcaster-founded PRO, now owned by New Mountain Capital.
ViewSESAC
United States · Performance Rights Organization
Invite-only; the only for-profit US PRO.
ViewGMR
United States · Performance Rights Organization
Boutique PRO founded by Irving Azoff; invite-only roster.
ViewThe MLC
United States · Mechanical Rights Organization
Created by the Music Modernization Act; handles US streaming mechanicals.
ViewSoundExchange
United States · Digital Performance Rights
Collects digital performance royalties from non-interactive streaming and satellite radio.
ViewHarry Fox Agency
United States · Mechanical Licensing Agent
The legacy US mechanical licensing agent; now part of SESAC Holdings.
ViewAllTrack
United States · Performance Rights Organization
Independent-friendly PRO launched 2016; tech-first approach to performance tracking.
ViewCMRRA
Canada · Mechanical Rights Organization
Canada's mechanical rights agency; partners with SOCAN for full publishing collection.
ViewSOCAN
Canada · Performance & Mechanical
Canada's sole PRO; partners with CMRRA on mechanicals.
ViewEurope
9 societiesPRS for Music
United Kingdom · Performance & Mechanical
Handles both PRS (performance) and MCPS (mechanical) in the UK.
ViewGEMA
Germany · Performance & Mechanical
Germany's society; one of the largest in the world by revenue.
ViewSACEM
France · Performance & Mechanical
France's author society, founded 1851; the world's oldest.
ViewSIAE
Italy · Performance & Mechanical
Italy's author society.
ViewSGAE
Spain · Performance & Mechanical
Spain's author society; covers Spanish-speaking Latin America via reciprocals.
ViewBuma/Stemra
Netherlands · Performance & Mechanical
Dutch society covering both performance (Buma) and mechanical (Stemra).
ViewSTIM
Sweden · Performance & Mechanical
KODA
Denmark · Performance & Mechanical
TONO
Norway · Performance & Mechanical
Asia-Pacific
4 societiesJASRAC
Japan · Performance & Mechanical
Japan's society; world's 2nd-largest music market.
ViewKOMCA
South Korea · Performance & Mechanical
Korea's society; critical for K-pop collection.
ViewAPRA AMCOS
Australia & New Zealand · Performance & Mechanical
Joint Australia/NZ body covering performance (APRA) and mechanical (AMCOS).
ViewIPRS
India · Performance Rights Organization
Latin America
2 societiesAfrica
1 societyNo societies match that filter.
Why collection society registration matters
Your music generates royalties in every country where it's played. Without proper registration with collection societies, that money stays in "black box" funds — unmatched, unclaimed, and eventually distributed by market share rather than actual usage.
Direct registration = faster payment
Registering directly with each society routes your royalties straight to you — no sitting in reciprocal pipelines that can delay payments 12–24 months.
Reciprocal agreements are slow
PROs share royalties across borders via reciprocal agreements, but payments take multiple quarters to route through. Direct society registration skips the middlemen.
Unregistered = uncollected
Royalties with no matched rights holder flow into "black box" funds. Over time, those funds get paid out by market share — meaning your earnings subsidize major publishers.
Register with 60+ societies in one step.
JukeHouse registers your songs directly with collection societies worldwide — stop leaving international royalties on the table.